Volume 3, Issue 2 (Winter 2020)
Decadence and Translation

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Preface by the Editor-in-Chief

Jane Desmarais

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The View from Strasbourg: Translational Readings of Decadence by the Guest Editors

Matthew Creasy and Stefano Evangelista

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CRITICAL


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The Spirit and the Letter: Medico-Literary Uses of Translation (Lombroso and Nordau)

Bertrand Marquer

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Is there such thing as a ‘Decadent Translator’?: The Case of Georges Hérelle (1848–1935)

Guy Ducrey

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Proust’s Translations of Ruskin: Generative Degeneration

Emily Eells

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Le ‘modern style’: un intraduisible dans les arts décoratifs

Sophie Basch

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L’Art Nouveau: Babel du bibelot ou espéranto décoratif?

Cyril Barde

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On Translating Verlaine’s Prose

Richard Hibbitt

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CREATIVE


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From Verlaine

Derek Mahon

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Stéphane Mallarmé, ‘Monologue of a Faun’: A New Translation

Peter Manson

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Auguste de Villiers de l’Isle-Adam, ‘Vox Populi’ (1880): A New, Annotated Translation

Matthew Creasy and Jennifer Higgins

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BADS ESSAY PRIZE WINNERS 2020


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The Ecology of Suffering: Thinking with the Elements in Decadent Literature

Joanna Cresswell

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‘Le Freak, c’est Chic’: Decadence and Disco

William Rees

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REVIEWS


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Michèle Mendelssohn, Making Oscar Wilde (Oxford University Press, 2018) & Matthew Sturgis, Oscar: A Life (Head of Zeus Ltd, 2018)

Richard Haslam

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Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity (The Boydell Press, 2019)

Michael Craske

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Arthur Symons, Spiritual Adventures, ed. by Nicholas Freeman (MHRA, 2017)

Lindsay Wilhelm

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Walter Pater, The Collected Works of Walter Pater, Vol. IV: Gaston de Latour, ed. by Gerald Monsman (Oxford University Press, 2019)

Catherine Maxwell

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LETTER TO THE EDITORS

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Salomé Doesn’t Dance

David Weir


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Notes on Contributors 


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