Volume 7, Issue 1 (Autumn 2024)
Neo-Victorian Decadence

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Preface by the Editor-in-Chief

Jane Desmarais

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Guest Editors’ Introduction to Neo-Victorian Decadence: Questions, Trajectories, Paradigms

Marco Canani and Anna Enrichetta Soccio

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CRITICAL


Decadent Paradigms: Il Piacere by Gabriele D’Annunzio 

Francesca Orestano

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Neo-Victorian Romanticism and Decadence: The Reconceptualization of Realism from John Henry Newman to James Stephens

Francesca Caraceni

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‘The clouds are grand pianos’: Derek Mahon’s The Yellow Book and Neo-Victorian Decadence

Enrico Reggiani

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‘A series of variations on a theme’: Reinvention and Amplification of Decadence in Jeremy Reed’s Dorian: A Sequel

Kostas Boyiopoulos

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(Re)writing Wilde’s Last Years: From David Hare’s The Judas Kiss to Rupert Everett’s The Happy Prince

Pierpaolo Martino

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Aesthetic Revenants and the Neo-Decadent Afterlife of Vernon Lee

Sally Blackburn-Daniels

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Variations of Decadence: Reflections on Julian Barnes’ The Man in the Red Coat

Ivan Callus

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Decadence in Graphic Novels: An Introduction

Darcy Sullivan

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Hanging out with ‘Archival Al’: Decadent Community in Neo-Victorian Comics

Matthew Creasy

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Japanese Manga Adaptations of Oscar Wilde’s Salome

Motomu Yoshioka

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Neo-Victorian Adaptations through the Media: The Representation of the Gothic New Woman in Penny Dreadful

Anja Meyer

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CREATIVE


Bergamot and Cedar

Helena Esser

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REVIEWS


Tim Mitchell, Albert Mérat, Rimbaud’s Seer (Celesta, 2023)

Marie Kawthar Daouda

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Sarah Green, Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence, Cambridge Studies in Nineteenth-Century Literature and Culture (Cambridge University Press, 2023)

Aaron Eames

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Adam Alston, Staging Decadence: Theatre, Performance, and the Ends of Capitalism (London: Bloomsbury, 2023)

Julia Skelly

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Notes on Contributors 


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