Decadence and the Making of the Nation in the Estonian and Finnish Context: An Introduction by the Guest Editors
Mirjam Hinrikus, Hasso Krull, Viola Parente-Čapková, and Riikka Rossi
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CRITICAL
Spiritual Naturalism in A. H. Tammsaare’s Kõrboja peremees
Mirjam Hinrikus and Riikka Rossi
The Ambivalent and Multifaceted Figure of the Upstart in A. H. Tammsaare’s Ma armastasin sakslast: In Search of the Right Interpretation of Life and Literature
Mirjam Hinrikus and Viola Parente-Čapková
Finnish Journeys through Vitality and Depression: Uuno Eskola’s and Mikko Carlstedt’s Self-Images as Artists
Timo Huusko
Slave of a Harsh God: Nietzscheanism and the Nation in Joel Lehtonen’s Perm: Syysyön unelma
Antti Ahmala
The Poetics of Affect beyond Good and Evil: Nietzsche’s Philosophy in the Prose Poetry of Jaan Oks
Leo Luks
CREATIVE
Decadent Interart Aesthetics in Johannes Semper’s ‘A Sacred Weed’: An Introduction to the First Translation
Merlin Kirikal
Johannes Semper’s ‘Püha umbrohi’ [‘A Sacred Weed’] (1918): The First Translation
Adam Cullen
REVIEWS
L. Onerva, Mirdja: A Decadent New Woman, trans. by Eva Buchwald (Jewelled Tortoise, MHRA, 2025)
Tiina Ann Kirss
Sarah Parker, Form and Modernity in Women’s Poetry, 1895–1922: A Line of Her Own (Routledge, 2024)
Adrianna Paliyenko
Evanghélia Stead, Grotesque and Performance in the Art of Aubrey Beardsley (Cambridge, OBP, 2024)
Frankie Dytor
